Comments (Page 1,957)

Yea he's a lot bigger and would easily kill it he probably play with it the same way he did with ebirah.

I never stated that Godzilla is MONARCH. I'm just making connections based on names and information. It's just a relation by name.

''GODZILLA HIMSELF'' I Doubt it as thers also a massage that says

JANJIRA - ALL MATERIALS RELATING TO THE JANJIRA INCIDENT ARE CURRENTLY UNDERGOING INTERNAL REVIEW. PLEASE CONTACT MONARCH -- DIGITAL SECURITY DIVISION TO REQUEST ACCESS.

@zillahater

lol i was wondering when you were going to show up your profile name speaks for itself lol

1. its not just about size, especially with godzilla.godzilla has taken down much larger oppponents many times. remember, hes not just a giant dino, hes a giant, UNSTOPPABLE, MUTANT,  NUCLEAR dino. he could simply incinerate the kraken, besides i think g2014 is bigger anyways

godzilla always wins this godzilla would dwarf the kraken from clash of the titans

another possability is monarch is an induvidual, one who has control over M.U.T.O.

Here's a link to a diagram showing the train of thought I had.

[THIS IS THAT LINK!]

Assuming it, of course, becomes a series.

same here

dying. DURP004, also dying

i think your right

(thank you for comening GODZILLASAURUS2000 this is my first post)

I agree with godzillasaurus2000

seems like a digital security company. maybe they are the ones funding the entire muto project

This should be a new series called the legendary series

his feet look like a saurapod,an his neck is to big

but his overall design is great

The Inception horn-of-doom is SOP for practically any blockbuster now days. I'm actually kind of shocked the Godzilla trailer didn't have it.

MUTO- likely a codename as opposed to a certain species. There are two monsters in this movie and they will probably be very different

I dont want to be a whinner  but I feel he might be to fat i mean he looks cool but that one problem

To me Godzilla's spines should be not to big and not to small because he has to be able to move around. I think Godzilla 1954 is the best.

I really dug '84 where the spikes actually got bigger down his back as to up near his shoulders but the purple hued jagged 2000 spikes were an awesome change

I think he can use his breath underwater, but I don't think he will.

@Druzilla54, I've heard that Edwards wanted to give the breath a realistic makeover, but I honestly doubt he changed that much.  While it will be different, I'm convinced that it will still be the standard beam of complete destruction.  Especially after Zilla's poor excuse for a breath attack (you know, exploding cars instead of actually breathing fire), I doubt that he would chance anything extreme.  I think he will want fans to clearly recongnize it as his signature attack.  I see it as a very bright beam, that instantly destroys whatever it touches with a combination of vaporizing, melting, and exploding the target.  Almost like a superintense lightbeam.  Gareth made a huge point in his interview to say that this is not Godzilla 2014, this is what Gojira 1954 should have been.  And Gojira's original atomic breath destroyed everything!

Going into what it would look like underwater, I would think it's going to look very much the same.  The thing is, because it's underwater, the heat released from the beam and his spikes would instantly boil the water around them.  Come to think of it, perhaps Godzilla's whole body would have a similar effect whenever he was underwater because of his own body heat.  That would certainly look cool...

I don't know if you have played the Resistance series on the PS3 but I think they will prabable look like the Widowmaker.

I think it will be like a hybrid between a dinosaur and an insect.

I agree with Madison

I agree with monstermovieguy

I would like to see a spider type monster like kumongo but cooler looking 

1984 gmk @ 1995

My personal favorite spines are actually from the Delgado Godzilla design, though I've seen some really good spines used in concept art for other Godzilla designs. Particularly fond of the 'branching' Godzilla spines featured in one Godzilla 2000 concept art. 

I always thought the original Gojira had the best spines, especially with that one jagged looking one in the middle. 

DURP004

Don't forget about the Inception Rip-off BWWAAAAA music between each shot :-)

Is your username supposed to be like a clumsy MI6 agent?

Completely agree that Godzilla 2000-Tokyo S.OS. (exlcuding GMK of course) had the best spine design. 

Although Godzilla 2014 may dethrone the Millenium spines once we get a full unobscured view. I personally really like the worn down stone/bony/triangular shard look they are going with for this new movie. I also appreciate how the back plates still look thin, jagged, and spikey like the Millenium design, instead of fat, 'fluffy', n' cloud-like in the other movies. 

Don't get me wrong, I've always liked Godzilla's spines, and they are definitely a trademark of the character, it's just the Millenium/2014 spikes are my favorite out of the group.

MAJOR EDIT***** So I realize now, I may have made a major ignorant ass of myself. This whole time, I had thought by 'Shindo' we were giving an informal name to a monster Godzilla might face in the new 2014 movie (perhaps the centipede monster), and hypothosizing about where these monsters came from, their history together, and how a final battle might play out.

I just now realized, after two long winded posts, that we are actually talking about a scene from Heisei's Godzilla vs King Ghidorah....between Godzilla and a person.......which makes like 75% of what I posted not only off topic, but also kinda nonsensical. 

I don't want to delete the post, because it took a lot of thought and a lot of work. But yeah, I feel kinda dumb right now, and I apologize. 

The Original Post.....before I figured it out:

Yeah, I would be satisfied with that interpretation. Well merely 'satisfied' is kinda downplaying it. That would be pretty awesome to watch. Two fighters, old rivals, united in respect, but destined to be opponents, and each molded and twisted by the horrors of their past, both having become figurative as well as literal monsters...I could definitely dig it.  

If you'll indulge my thematic nitpicking: 

I don't know if Shindo would view death as a "punishment" so much as perhaps redemption and honor regained, like a Samurai perhaps. 

Where would the distinction of the ideals of the two combatants play out in the choreography of their duel? I know the topic was really only talking about their first stand off, rather than their proceeding fight so I apologize if this is sort of a derailment....but those are the best fights to watch in my opinion, where their philosophy and their ideals shine through in their combat style. The style isn't just there because the director decides it looks cool.

In addition to the examples I listed earlier, another one that came to mind is the final fight from the MMA movie 'Warrior' with Tom Hardy and Joel Edgerton....DEFINITELY worth a watch if you haven't already seen it (the whole movie, not just the fight scenes). The final fight/climax of the movie really epitomizes what I'm talking about....where they are fighting, they aren't talking, but the way they fight....it's a conversation/debate as much as it is a fight between two men.

Maybe Godzilla, representing more an 'excessive growth and dependance on modern technology' could over use his advanced atomic breath attack. While Shindo, maybe having some advanced powers of his own, but wanting to regain the honor of old, willingly chooses not to use his, and sticks to 'hand to hand' combat.

Godzilla could maybe start with the upper hand, but through a newfound tenacity and perserverance, as well as maybe some wisdom/cunning, Shindo finally closes range, and starts beating down on the King of the Monsters. Godzilla then is forced to reach back into a rustic and old school playbook he hasn't been forced to use in years, and the fight balances it out as it returns to the traditional tooth n' claw matchup from when both of them where just 'animals' or 'creatures' instead of Monsters specifically.

Bloodied and weary, Godzilla eventually wins the throwdown, with Shindo having regained his honor, going out admirably, making it all the more tragic that he HAD to die. While Godzilla wins, and walks off back into the 'modern' era, he can't help but have learned from Shindo, and takes some of that honorable traditionalism with him, so that a part of a Shindo now lives in Godzilla, signifying that the past will never truly die. 

Or maybe Godzilla's increased respect for Shindo causes Godzilla to turn on the 'modern' which was twisted and formed him so much. In a rage having to have killed Shindo, Godzilla ends the movie with the start of a city rampage instead of a victorious yet melacholoy sunset swim.

I dunno.....just thoughts I guess. It's an interesting topic....way more interesting than I originally thought it was going to be when I first came to the thread, so that's kinda cool.

My complaints are the feet, his fighting technique, and him being hunched over.

1999/2000/2002/2003 They've got the same spine shape. It looks pretty cool like crystals like you said.

I have SH Monsterarts Godzilla 2000, and it is pretty awesome. The entire tail is articulated. His head can look straght down. His tongue can move up and down. His wrists move, his neck moves. His legs can move really far apart, and can kick really high. I think Godzilla 2000 is the mst articulated monster in the SH Monsterarts line so far. You should get it.

I would love to see the Michael Bay Godzilla. The trailer of course would be the following:

Explosion

Ridiculously hot girl

bigger explosion

some1 yelling no

ridiculously hot girl again

Godzilla

3rd final explosion.

Ha! That's great. Yeah, those shots really don't lend themselves to the lens flare effects at all do they? It really washes them out.

I don't think EBaker is saying that the monsters themselves represent different nationalities. He's saying that both Shindo and Godzilla have grown to become monsters in a post-war world. Both were fairly simplistic and even honorable during the 1944 segment. But much changed in the future.

Shindo has become corrupt. He's harboring nuclear powered subs, building whole cities with unchecked capitalistic values and very much forgetting his honorable roots. Godzilla, once an innocent dinosaur, has become a freak. A creature destin to cause problems with the modern day world and also a product of the post-war: Nuclear power, energy...etc...

Both meet each other again when they've lost their innocence and honor. Present day they meet each other as juggernauts (or monsters) in their respective worlds. But they've changed so much that there is no co-existance. What happens in Godzilla movies is that when monsters meet, they fight to the death and one is victorious. That's what happens here on a different level. Godzilla was, clearly, victorious. Meanwhile Shindo accepts the punishment of death for his unchecked nationalism and capitalism.