GvK’s Whited Out Stuff

So I don’t know if any of you have already read the hidden texts in GvK, but I did what I did for KOTM, so here ya go

“Warner Bros. and Legendary Pictures present evidence of an enduring battle between monsters. Decades of research into ancient stories leads to a Legendary production. The history of Titan wars will be explored in a film by Adam Wingard that sheds light on previously hidden truths. Alexander Skarsgard needs to prove existence of Hollow Earth to salvage his tarnished reputation. The inclusion of Millie Bobby Brown will aid greatly in the quest. Rebecca Hall has done extensive research that is indispensable to the mission. Untold secrets will be exposed by Brian Tyree Henry and fellow truth-seekers. Shun Oguri the connections between Hollows Earth and monster sightings has long been established. Countless explorers have attempted to prove the connection, Eiza Gonzalez and many others have perished. Julian Dennison Hollow Earth has been rumored since earliest historical record. There are shadowy figures Lance Reddick who invisibly navigate these liminal realms. Working in concert with Kyle Chandler they hope to bring the monsters into the light. There are many factors including advancements in technology and Demian Bichir. Citing works of ancient alien theorists, Hakeem Kae-Kazim has worked in conjunction with Kaylee Hottle to establish a controversial narrative. Commonly held beliefs are subject to doubts by casting director Sarah Halley Finn, which undermine progress. Working out skeletal remains, costume designer Ann Foley fleshes out renderings of monster’s appearance. Visual effects supervisor John “DJ” Desjardin creates simulacra of Titans based on existing evidence. An atomic blast in s a visual effects producer the likes of which Tamara Watts Kent has never seen. The explosive energy demolished structures with sound design and radiation reached as far as Erik Aadahl and the lone fishing boat of Ethan Van Der Ryn. The monster’s sounds are compared to music by Tom Holkenborg. The record of monster clashes is edited by Josh Schaeffer, to reflect ongoing battles.  The military increased spending to support production designers Owen Paterson and Thomas S. Hammock as they gear up for intensified battles with monsters. The most dramatic battles were captured by director of photography Ben Seresin, but most compelling footage was suppressed. Increased activity necessities rebuilding, executive producer Jay Ashenfelter and his co-hort Herbert W. Grains do the work. Executive producer Dan Lin and his ally Roy Lee control information that makes it to the public. Kong’s power fascinates and intrigues Yoshimitsu Banno and Kenji Okuhira so they study his anatomy. In data produced by Thomas Tull, studied by Jon Jashni, Brian Rogers is able to track Kong’s progress. Reports of monster rampages produced by Mary Parent are expurgated by Alex Garcia, with Eric McLeod to allay public fears. The ability to track monsters is based on the character “Godzilla” leaving a wake of destruction across properties owned and created by Toho Co., LTD. Evidence is plentiful, but a cover story by authorities seeks to protect Terry Rossio and Michael Dougherty and implicate underground groups and Zach Shields in the recent increase in Titan activity. The reality is stranger than anything in a screenplay by a raving lunatic, and makes Eric Pearson and Max Borenstein seem credible by comparison. Directed by Adam Wingard to cease investigations.”