Comments (Page 133)
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shin. shiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiin. shin. shin shin shin SHIN
he didnt kill kong because adam wingard was to chicken to make him.
this article but simplefied for idiots (like me):
IT did good.
HinikunaGoji,
I'm curious about that as well. As far as my laundry list of issues with this movie goes, Kong's characterization is not one of them. If anything I felt it was quite easy to be sympathetic toward Kong since he was taken from his home, drugged, put in dangerous waters against a superior threat, dropped into the freezing cold, nearly suffocated by a flying cobra, had his throne room he had just discovered blown to hell and was beaten within an inch of his life by Godzilla only to have a giant "defibrillator" blow up against his chest for a rude awakening with Mecha-Beats-Me-Within-An-Inch-Of-My-Life. All of which could've been avoided had he not been taken from his island by the so-called "Kong whisperer" who was allegedly looking out for his best interests.
The movie could've easily been titled, Kong Has a Really Bad Day.
He is such a perpetually muttering disgruntled toxic. Could you elaborate on this, I didn’t get this vibe at all.
In his new interpretation Kong traditionally closer to the human race has absolutely no appeal or charisma. He is such a perpetually muttering disgruntled toxic. Therefore the outcome of his battle with the rampaging Japanese foot-and-mouth disease becomes as uninteresting as possible. It's like watching a fight between drunks outside a convenience store from the sidelines. It's an epic movie attraction crawling a bit into Star Wars territory. The plot is only needed to strut the formidable crashing cyberpunk Hong Kong animation. At some point a third force intervenes in the conflict. Who with pathos proclaims his alphasamtsova. This does not cancel out the fact that watching such an abusive troika albeit pleasantly filmed in places in 2021 is simply boring. I watched it on 123movie in 3D effects but even those effects didn't really fix the situation. And I was left with only negative emotions after the movie.
They didn't make this movie any clearer. I expected more. That they would kill each other.
I mean we all know this is the best figure
i know, i'm not the best a decisions as well. i usually go for an eeny meeny miny moe approach. but, i also sometimes try to think into the future to see which one i like best. try thinking hard about which figure you think you would be happy with best in the longrun
Depends on which design you like the best. Personally I prefer 1954, but like HinikunaGoji said, it's your decision.
it’s really up to you. It’s your decision and I’d just make sure you have enough money to get what you want
The ad actually appeared when I was watching a review for King Kong Escapes, which is why I immediately noticed the Gorosaurus similarities.
What’s funny is this ad just actually appeared for me
i mean i thought his voice was fine
That's not actually his real voice. His real voice is much deeper.
I really hope this isn’t Gorosaurus’es voice tho
We need a petition to get the talking meteor to appear in the next Godzilla movie.
i knew something about that dinosaur was familiar, i just couldn't put my finger on it for some reason
I’m sure Gorosaurus was excited to find out he was playing Godzilla in singular point, (and disappointed that he wasn’t Godzilla ultima.)
That meteor’s face! It’s ummm… definitely the face a meteor could have.
HinikunaGoji,
Something I want to emphasize though is that Godzilla films and stories have not always highlighted radiation or the bomb. Going back to what I said about the Godzilla series being a run of stories about how Japan is handling the aftermath of the bomb, I want to point at a movie that has no explicit ties to radiation: All Monsters Attack.
I'll side-step the debate over the film's quality for a moment and focus on its themes. It's a deconstruction of the Japanese nuclear family in the 1960s & '70s, showing what they had to deal with because of the one-sided economic situation. While technically there was an economic boom at the time, all of the money was going to big corporations. Japan had shifted into democratized capitalism as opposed to the feudal version they had maintained during WWII.
By the 1960s modern capitalism in Japan was barely 30 years old and the number reaping its benefits was uneven. All Monsters Attack highlights this with families living in downtrodden/polluted areas, tiny apartment homes, parents who are both working and unable to raise their children, crime on the rise, etc.
All of that to say, All Monsters Attack may not have anything to do with the bomb or even WWII. But the film highlights some of the many cascade effects the bomb had on post-war Japan. Japan's defeat by the bomb led to Milo Rowell and Courtney Witney westernizing Japan's constitution and, by extension, their economic system. This system constricted many families in the '60s until the bubble finally burst in 1992 when the Japanese stock market crashed. Post-American occupation, Japan was left to their own devices in order to cope with these new systems--Setting them up for failure in the long run.
It has nothing to do with the bomb or radiation, but what better character to highlight these post-war pains than Godzilla? I think there's plenty of places Godzilla can go, and has gone (thematically), that relates back to Japan's defeat without directly being tied into the bomb/radiation.
It seems more disconnected though. The mentions of radiation we get at all is a chart showing Godzilla’s contamination after atomic breath and a mention of the element radon (which is radioactive.)
I was going to finish the thought I do think that even if not said radiation is very applicable in the story. Archetype clouds do seem to stylistically resemble mushroom clouds. But I think the most poignant example could be the scene where professor li dies. There’s a bomb like cloud and Rodan come soon after. The survivors hide under what appears to be thick concrete
I’d just like more of an implied connection. I think directly stating it might ruin it, but implying it would add a whole lot to the origin
HinikunaGoji,
Given that there's still a great deal yet to be resolved in Singular Point, the nagging question of why monsters appeared in our dimension has the opportunity to alleviate these issues. And if not there's still enough post-war and (oddly enough) pre-WWII thematic elements that keep it tied to the monster and its kin. As I've said before, it's less about the bomb and more about the figurative fallout that followed. Godzilla may have been born of the bomb, but he existed in the post-war, which is by and large what the series has been about.
The Monsterverse was problematic with how it played with the subject of radioactivity/the bomb from the get-go. But after King of the Monsters I'm convinced it shouldn't even bother--Though GvK is not a suitable alternative. If there are to be more, I hope it angles its themes with more significant thought.
I love singular point, but I really want this resolved
Yeah kind of like G-Energy but its T-energy
HinikunaGoji,
In Japan? My guess is not much longer. It's just not pulling enough attendance by this point. I'd give it another two weeks.
How long do you think it will be In Theaters
UPDATE 08/24/2021:
Godzilla vs. Kong continues to hang on at the Japanese box office. The film managed another $200,000 between its 7th and 8th weekends, currently sitting at 1.88 Billion Yen. ($17.2 Million)
In its 8th weekend attendance sits at 1.25 million--A little higher than expected, but unlikely to hit 1.30 million. (Kogyotsushin via World of KJ)
monsterzero9 it’s not a list for a future monster but an idea they had
monsterzero9
I appear to be in the minority that thinks it isn’t confusing
i played it, got pretty far in it, then my ipads software had to update and i lost all my progress :(
GODZILLA SINGULAR POINT IS NOW ON NETFLIX! -and it is HELLA CONFUSING!
monsterzero9 has returned! ha-ha!
